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- <text id=91TT1698>
- <title>
- July 29, 1991: View Points:Photography
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- July 29, 1991 The World's Sleaziest Bank
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIEW POINTS, Page 63
- PHOTOGRAPHY
- Eek! A Naked Lady!
- </hdr><body>
- <p>By Richard Lacayo
- </p>
- <p> Robert Mapplethorpe's boys-in-bondage photographs made the
- right wing snort and paw the ground. But the left has its own
- kind of puritanism lately, which submits depictions of the
- human body to a test of political correctness. A 1964 work by
- Sol LeWitt failed the test of Elizabeth Broun, director of the
- Smithsonian's NATIONAL MUSEUM OF AMERICAN ART in Washington.
- LeWitt's piece--part of a touring show of work inspired by the
- 19th century photographer Eadweard Muybridge--is a long black
- box with 10 portholes. A viewer passing from one to the next
- sees successive shots of an advancing naked woman. Broun
- compared the work to a peep show and removed it from the walls,
- until the resulting uproar compelled her to put it back. Broun
- says she wasn't practicing censorship but insists that she isn't
- obliged to give a public stage to work she finds "degrading."
- Substitute the term "tax dollars" for "public stage," and you
- have Senator Jesse Helms' argument against government funding
- for art he doesn't like. The message from both sides to artists?
- Stick to abstraction; it's safer.
- </p>
-
- </body></article>
- </text>
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